Omnivortex – Circulate
Release Date: 29th September 2023
Label: Inverse Records
Bandcamp
Genre: Death Metal, Technical Death Metal.
FFO: Obscura, Alkaloid, Beyond Creation, Beyond Grace.
Review By: Carlos Tirado
Tech Death is notoriously challenging to excel in, and I’m not referring solely to the musicianship, which we all acknowledge is exceptionally demanding. What I’m alluding to is the ability to compose songs that are not only technically proficient but also captivating, enjoyable, and intellectually stimulating to perform. This formidable feat is achieved by only a select few bands within the genre. Omnivortex, I believe, has the potential to belong to this elite group. Their previous album was an absolute headbanger, and Diagrams of Consciousness didn’t receive the love it truly deserves. Released during the depths of the pandemic, it was a much-needed musical offering. Now, the question remains: Can their latest release, Circulate, surpass the high quality of their debut?
At first glance, one might assume that Circulate treads familiar territory, but upon closer examination, subtle distinctions emerge. The album places a greater emphasis on melodic segments, diverging from the dizzying speed typical of the genre. This approach aligns more closely with the Finnish tradition, where a track is considered truly Finnish only if it possesses an inherent sense of melancholy or invokes imagery of snow-covered landscapes. With this release, Omnivortex has carved out a more distinctive sound for themselves, moving away from the heavy influence of Obscura and Spawn of Possession that once permeated their style. While these influences are still discernible, Omnivortex has undeniably honed their own brand of Tech Death. This evolution is also evident in the production, which feels less Djent-like and notably lighter. In an era where many bands rely on Djent-inspired production techniques and low guitar tuning to achieve heaviness, this album’s genuinely weighty riffs stand out, affording the melodies greater room to ensnare the listener. And ensnare they do – the experience is akin to being crushed by a meat grinder.
The vocals play a pivotal role in distinguishing this album from its predecessors. Ironically, they bear more resemblance to the styles found in Obscura or At the Gates. However, these vocals complement the lighter guitar tone exceptionally well. Of course, it goes without saying that the riffs and blastbeats are awe-inspiring. While undeniably intense and aggressive, they offer more than meets the ear. Omnivortex delivers a blend of catchiness and complexity. This album presents a refreshing take on the intricate, serpentine riffing that is so characteristic of Tech Death. The overall tone is decidedly severe, which is amusing when you consider the light-hearted nature of the single music video.
Are there any drawbacks to this album? Well, they are the usual suspects: it’s loud as hell, and though undeniably potent, there are several acoustic passages that could benefit from more dynamic range to better suit the mood. On a related note, a few songs, particularly Endless, could benefit from some trimming, perhaps shaving off 30–40 seconds. It’s a minor quibble, but each song contains a substantial number of hooks to digest, which might not be for the faint of heart.
I am delighted to report that Omnivortex has taken a significant step forward by cultivating a unique sound, and there is hardly a dull moment on this album. While they may not yet be in the league of Gorod or Beyond Creation, it is apparent that this band is on a trajectory toward that level of brilliance. In fact, I dare to assert that Omnivortex is precisely what Finland has been lacking in its Death metal repertoire – a top-tier Tech Death band. And now, it has one!
(4 / 5)
